I licked the ink-pot For leftover words— Words whose foeticide haunts me Like laughter At the end of my eulogy
I succumb to the watered down version of myself They watch me— As I haunt fireflies under streetlights: Like a modern mosque, Some cannibalised church A trapped temple Random discourse A faint idea Keeling over the volume of vomit Ready to be regurgitated Like a scripture Of my life
The moon pools like piss Around my ankles As I weep Watching my nightmares Walk the night Whilst I fade— From sky’s painted blue to horizon’s scratched red When I follow The pole star of no path Like a wish Yearning to be granted A Yggdrasil, dying to be planted And then Left alone To be inert At birth
Standing somewhere I apologised to the air- It isn’t fair, I said Half grateful, part afraid Of being proven wrong in my regret— The closest thing to a closeted fate And it’s easier to evaporate In the space between My neck and my pillow And became the indivisible That incalculable afterthought Which succumbs Ever so wilfully To dream’s dying desires- Like a wound Unwilling to heal And able to feel The hurt, all the pain, Driving the flesh slowly insane Inch by inch Till all that remains of one Is a red hand Reaching for the heart
I let my mind unravel Like a knotted string That never went through The eye of the needle My theory for this is that sometimes The affliction comes from affection- Affection for the effects of the affliction As if the race between the tortoise and the hare Was won by the tortoise While never being there At the finish line
And there is much I need to ask From myself before that, But the catapult of questions Can only aim so far So I vie for the fruits Hanging on the lower branches Sweet residues, softer shadows Of a grand world Made of crystals and confetti Confessions and curiosities A woollen world Of shapeless horizons And mirror-tinted sea Made of mythical people For whom the world comes from ‘Me’
I wish to cover the world under the blanket And tell the ghost story Of how it all ended At the very beginning
We are sitting in a sun-blown café in the far corner, alone, at 6 in the morning.
You are wearing your blue jeans and my t-shirt— washed out, white, far too large— fitting you perfectly.
The waitress is dusting the tables, pulling up the chairs, shaking the table salt containers, piling up tissue paper.
I watch as the dust motes play in the breeze by the window—behind your hair. They glow auburn—your hair, not the dust motes.
I was wrong to ask for open hair. It looks lovelier now, tied in a loose bun, with wayward strands falling and cupping the contours of your face.
I watch in silence as the cups of coffee are laid, watch as the steam rises and veils your face— You wink. I smile. You sip. I smile again.
You ask something. I nod, far too captivated by the rings on your hand— the black from me, and the blue from your mother.
They rest on your skin, absorbing your essence, your touch, the warmth I long for— something more than black coffee.
The conversation begins, and I try to keep up as words cling to your pink lips and memories roll down from the tip of your tongue.
Your eyes dance, the brown in them melting under the sunlight. I wonder what you see— how deep, how far? Can you see my soul, that I wear so close to my skin, almost like a second shadow when you are around? Can you feel my heart beating, painfully, avidly, as it grasps the reason for its existence— sitting two feet across, legs crossed, feet dangling, covered in white socks and tan boots…
Maybe yes, maybe no— but I long to know.
The breakfast comes: omelette, jam, butter, and bread. You look at me and ask… “Was it something I said?”
If one were to wipe me from your memory, you would still be you, and I would still be me walking the same paths, crossing the same crossroads, eyes on the sun, hearts aflutter, searching for a glimpse: one for the brown hand, and one for the white, one for the long days, and one for the night.
I wish I could close the world, draw each corner of it unto me like a blanket, like falling asleep at the center of petals and let the silence mould me into something beautiful, something lost, something forgotten, so that when I am found in the middle of nowhere, a child unable to understand the depths of the finger he holds to walk I am appreciated, welcomed home, and not left like a wrapper on the road.
I feel the feathers in my bones, and eddies in my soul, as my mind flows passing through life, through gentle retributions, via murmured aspirations like wave after wave, conquering and crashing, a second of victory, only to dissolve, and dance on the auburn sand between time’s pink toes, walking on eternity’s shore, barefoot.
Half the time, I just exist—like husks of wheat. I move along with the wind, without a thought, a care, or ambition. I do what I have been told. I pray, I preach, I learn, and I teach. I exist for the benefit of others, like a common condiment.
The thing is—I could be much more. Much, much more. Like saffron or vanilla.
But there is a sadness inside me that pulls me close, a sadness that makes melancholia look adorable—romantic in ways that rejoices my being. I wonder if there are pieces of plastic latched to my soul, making me incomplete.
Outside my window, the rain speaks. I hear the conversation between the trees, the pathway, the creaking seesaw, the blades of grass, and the drowning ants.
Should I, too, put in a word about my world?About how I have surrendered to my surroundings? How my ego has mounted a paper boat and is now heading towards the eternal eddies of societal suicide?
There is a knock.
The floor feels soft without my slippers. Numb feet makes quite a carpet. The latch has brown patches on it—rust, spread out like a map of Europe.
I remember first hearing about Turkish Delight in Narnia—how the girl opens the door of a cupboard and is transported to a land of enchantment. Well, mine takes me face-to-face with a plethora of files: red, blue, and green.
I wish I were colourblind.
But that thought is for another time. Presently, I am enamoured with my own incompetence. The door closes and the stench of garbage wafts in, with a peculiar rhythm to it—an echoing arrhythmia. It takes me four rapid blinks to come to terms with the fact that it is indeed my heart, fluttering like a stapled butterfly.
God is muted silence. For silence can be heard. But God? He cannot be. He has left the pastures to the wolves, and the forests to the sheep.
Rejoice, children! (I dared to laugh)
Is this not what every heart desires in the end? To change? To be something other than what one is born with?
Yes—the first act of violence that any man commits is against himself.
First, he desires to shed. Next, he desires to show. And finally, he desires to be sold.
We are slaves, one and all—slaves to life and love, to vision and division, to season and decision, to thought, to carelessness, to songs, to books, to faces, to sex, to laughter, to text, to limelight, to corners, to whiskey, to cigarettes, to auguries, to cabarets, to sugar, to fantasies, to all things other than reality—
There is something about memories That never lets me trust them Maybe because they appear When I have nothing more to think Or perhaps because I can think of nothing more The paradox is a juxtaposition Memories, like dust on a photograph, fading, Reminiscent of a forgotten spider’s web In the cold corner of a locked room At the end of an abandoned hallway Of a castle in ruin And if I were to drop a stone In the crevasses of my mind The sound would be of memories Coming back to life O Forgetful me Remember the sea That which goes silent When the sun goes down
But Dreams! Those nocturnal delights Full of sins and sensibilities Like a ballerina en pointe on a needle A sylph threaded And wedded to life’s leftover canvas To stitch and make whole Pieces of prosaic poetry Oh, the dreams are my delicacies With daydreaming being my favourite The flavour; incurably sweet yet alarmingly bitter As I teeter Between death and sleep Between Morpheus and Orpheus Between soliloquies and singing For a drifting island of my own Where waves are stories grown And I sail all alone Towards horizons Etched in stone
But reality is like rust Over time it chips away Parts of you; to take you apart, And away from your Cinderella story, Reality, that monster which appears When fairy tales of everyone coalesce And things that made sense Becomes white-noise in your ears The blinding buzz At once a siren and a lullaby So that you sleepwalk Out into the ocean of possibilities To first drown and then float Before a man and now a boat, To get boarded on and sailed Just another oyster that failed In understanding the pearls of wisdom; That not all ports get hailed
My past now grows impatient Under its tortoise shell Eons passed and I have moved Only a fingernail Closer to you
Much of my music is lost Listening to the wall clock Counting, sixty seconds and a minute Sixty minutes and an hour Twelve hours, twice over, Again and again Through wind, winter and rain This dilemma, delusion and pain Of having met you And loved you for a millennia But having no permanent memory No cup of your captured laughter No mirror of your misty eyes No sunlight captured by your tresses No sweet scent of your sighs All I am left with, are yellow pieces of fractured time And a heart that mostly murmurs For all truths out aloud are lies
The blanket we wear Smells like Sunday morning A waking warmth Of hay and honeysuckle And a quiet happiness Equally sad and empty So we hold each other From falling apart From drifting into different dreamlands Where one of us ends and the other starts
I watch as you breathe in Life, my life For I am haunted By the ghost of your breasts Buried and hidden A catacomb of our heartbeats Growing restless Like a river ever running But never reaching The estuary of my arms
You see I am obsessed With the idea of your existence Insanely infatuated So unequivocally infantile To see your warm womb As the walls of my tomb And the pulse of your veins Like all the seasons I have ever seen
I know, I know I am mad to my bones But my death is being alone Without your hand in my own So, I place myself in your hand like a petal You drop me I am cold I am hard I am metal With nothing more to see And nothing more to be With nothing to call mine And nothing is for free
“I dream of dying daffodils On a wave of my broken, favourite hills Where I as child had once laid claim When I knew myself by my name”
“But these ages have not been kind to me I was fettered but asked to spell as free Promised monuments; I was given a moment To count salt that slept in the bed of sea”
“Oh, how I wept and leapt like Sisyphus’s stone Known to all just by being unknown I was placed all high but without a head I survived it all by playing dead”
“And thus now we come to an end This poem breaks where all stories bend As no more of life will come my way I give away that, for which I pray”
My life is a loose translation Barely read, rarely understood And sits, with an air of years spent Suspended between two strokes Of a broken down pendulum Ages have passed undivided A single line, perpetually drawn Getting thin and thinner Till the Parallax Error Caters for my silence At the center of my heart And I am able to remember The taste of my first breath The warmth of my first touch The colour of my first view All amounting to nothing much
I submit to the auguries made about me By people who claim to know When the leaves of a tree in the autumn would fall And when the sun would melt the snow
Fire in the birdcage Would the wings be able to save? Can feathers and the flame Be the same Can the ashes for once be brave?
I humour the dinner table My hands carefully caressing The cold, silver cutlery And my words Churning in my mouth with the morsels Breaking down With every bite, with every conversation Leaves a taste Something lingering upon the tongue They watch me as I listen They listen as I watch The thin sound, going around A tiptoeing whisper Toeing a line; I am known to these strangers I am shared and savoured Wound licked with salt I am a pariah and thus favoured
Long into the night I stare at my soul Standing by the window Stitching itself whole And the night breeze is painting And the dark woods; they dream Only the blind sky is witness As I thread down my scream
I draw myself With a red charcoal Still breathing and burning In afterlife
The shape of my head is a shade Made of thousands of fingerprints Left by all the people I met Some I remember But mostly I forget Those with their teeth Sunk in my throat As if ripping me apart For the words that I wrote
Wind takes my torso and I am turning into a tide Flowing with flayed limbs; Deeper into the drawing Past pulp of the paper Into the girth of the ground Like roots and fruits I am sold by the pound Sold to wishes and worship Sold to order and obedience Sold to answers and acceptance Sold to nothing and negligence
Transparent flesh I design my thoughts so they can please Eyes of the beholder And as I grow older I intend to paint myself as a mosaic man And many see in me What I may see in many: Eyes coming closer Merging on the bridge of my nose A single center For my dissolving circumference And it is odd to fall inwards For the implosion leaves no leftover Other than the suspended emptiness In the middle of the throat That neither screams nor stays silent But echoes; this pencil stroke pain Rising, apprising my churning nerves Like nails dragged upon my spine
The shadow beneath my feet Portends a prerequisite that light must be nearby So I shade, the lines of my face The folds in my dress Gifting myself my gratitude In a bow made of shoelace For I am poor man Who breaks one pencil in two halves And loses both in no time For I am poor man Who when his world is being coloured Pretends it is a crime
Most nights I sleep Sitting and looking at a blank canvas As if it is the canvas which is painting me In colours kept secret by mirrors and mirages It is sad though that feelings cannot be reflected Only inflicted and affected Feelings by their virtue of being A past participle and present continuous Is man’s eternal tense A void with wisdom Aware that the sum of all it’s infinities Is simply a zero
There are times when I rhyme My gestating philosophy With archaic words So that when I speak There is rebirth And I am assured That my thoughts Those infinitesimal, dust motes Will live on In the veins of mortals Addicted to immortality
So perhaps I draw myself In a way I shouldn’t be drawn For who has seen one using charcoal To colour the perfect swan But I am not a swan, you see, I am crow beaten black and blue In an attempt to create something new Out of desolate frequencies And distilled time A still life portrait Dead by design
